Produit

FLUX 3 product photography prompt

A studio product brief for FLUX 3 with a strip-light setup, contact shadow and layout headroom, explained phrase by phrase.

Publié le August 21, 2026

Aperçu

Aucun exemple rendu n’est encore publié

Nous ne publions que des images réellement générées à partir du prompt affiché sur la page. Tant que celle-ci n’a pas été rendue et vérifiée, c’est le brief lui-même qui est exposé.

Le prompt complet

1Commercial product photograph of 2an unbranded matte-black insulated water bottle with a brushed steel lid, 3standing upright and slightly off-centre on a pale concrete plinth. Three-quarter view at 90 mm, 4one large strip softbox behind camera left tracing a long specular edge down the body, 5a narrow silver reflector opposite lifting the shadow side, 6crisp contact shadow anchoring the base, cool grey seamless background with a soft floor-to-wall falloff. 7Believable powder-coat texture with faint fingerprint sheen, accurate metal reflections in the lid, neutral white balance, e-commerce hero finish with 8generous headroom for a headline. 9No logo, no label, no text, no watermark, no floating props.

Utiliser ce prompt

Ouvre le générateur avec le prompt et le format d’image déjà renseignés.

Les prompts restent en anglais pour être copiés tels quels dans le générateur ; si vous les réécrivez, l’anglais reste recommandé.

Structure du prompt

Chaque segment ci-dessous apparaît mot pour mot dans le prompt ci-dessus et pilote une seule chose. Mélangez-les, remplacez-les ou supprimez-les pour composer votre propre version.

  1. 01

    Commercial product photograph

    Product work has its own physics: controlled light, no ambient mess, everything in service of the object. This opening sets that expectation.

  2. 02

    an unbranded matte-black insulated water bottle with a brushed steel lid

    Unbranded is deliberate. Asking for a brand invites garbled logos; asking for unbranded gives you a clean surface to composite your own onto.

  3. 03

    standing upright and slightly off-centre on a pale concrete plinth

    Position and surface. Off-centre leaves room for type — decide that here rather than cropping it in later.

  4. 04

    one large strip softbox behind camera left tracing a long specular edge down the body

    The strip softbox is the whole trick for cylinders and bottles: it produces the long vertical highlight that reads as glass or coated metal.

  5. 05

    a narrow silver reflector opposite lifting the shadow side

    Fill, described as a physical object rather than as a brightness value. Silver keeps it crisp; swap to white for a softer, lower-contrast fill.

  6. 06

    crisp contact shadow anchoring the base

    Without a named contact shadow, products float. This one phrase fixes the most common product-render tell.

  7. 07

    Believable powder-coat texture with faint fingerprint sheen

    A small imperfection is what separates a photograph from a render. Keep it faint — heavy fingerprints read as dirty rather than real.

  8. 08

    generous headroom for a headline

    Name the layout need in the prompt and you stop cropping good images to death in the design file.

  9. 09

    No logo, no label, no text, no watermark, no floating props

    The four things a product shot must not invent, plus the fifth that ruins composites.

Questions sur ce prompt

Can I swap in my own product?

Rewrite phrase 2 with your object, its material and its finish, and leave the lighting phrases alone. The strip-light setup works for anything cylindrical; a flat object usually wants a broader softbox instead.

Why does it say unbranded?

Generated logos and label text come out garbled far more often than not. An unbranded surface with correct lighting is a better base for compositing real artwork on top.

The result looks like a 3D render. What is missing?

Usually the imperfection phrase. Faint fingerprints, micro-scratches, a slightly uneven edge and a real contact shadow are what pull an image back from render territory.

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