FLUX 3 architecture prompt

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Der vollständige Prompt

¹Architectural photograph of a small rammed-earth research pavilion set into a hillside of dry grass. ²Single-storey, deep-set horizontal window band, a cantilevered timber canopy over the entrance, board-marked concrete plinth. ³Two-point perspective from standing eye height at 24 mm with verticals kept perfectly straight, ⁴late afternoon sun raking the earth wall to reveal its layered lifts, long shadow from the canopy across the entrance, ⁵one figure walking out of frame for scale. ⁶Clear dry-season sky with thin high cloud, warm ochre and bleached olive palette, ⁷accurate material weathering, ⁸no post-production sky replacement look. Editorial architecture magazine finish. ⁹No text, no logos, no cars, no watermark.

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1. 01

   Architectural photograph

   A discipline with its own rules: straight verticals, controlled perspective, materials over mood. Say it first and the rest falls in line.

2. 02

   Single-storey, deep-set horizontal window band, a cantilevered timber canopy

   Describe the building as elements, not as an adjective. modern building produces nothing; a list of elements produces a building.

3. 03

   Two-point perspective from standing eye height at 24 mm with verticals kept perfectly straight

   The core technical instruction. Converging verticals are the single most obvious mark of an amateur architectural image.

4. 04

   late afternoon sun raking the earth wall to reveal its layered lifts

   Light chosen for what it reveals about the material. Raking light across rammed earth is what makes the construction method visible.

5. 05

   one figure walking out of frame for scale

   Scale figures are standard practice. Walking out of frame keeps them from becoming the subject.

6. 06

   Clear dry-season sky with thin high cloud

   An empty blue sky looks fake; a fully dramatic one steals the building. Thin high cloud is the working compromise.

7. 07

   accurate material weathering

   New-looking buildings read as renders. Weathering is what places the building in time and weather.

8. 08

   no post-production sky replacement look

   Names a specific artefact rather than asking for realism in general. Specific negatives work; general ones do not.

9. 09

   No text, no logos, no cars, no watermark

   Cars date an architectural image faster than anything else and are usually the first thing a client asks to remove.

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