FLUX 3 cinematic prompt

Vorschau

Der vollständige Prompt

¹Cinematic film still of a lone signal keeper walking a flooded causeway toward a distant lighthouse at blue hour. ²Anamorphic wide shot on a 40 mm at T2.8, ³camera low and level with the waterline, ⁴subject small in frame at the left third, the causeway leading the eye to the horizon. Overcast sky breaking into a cold cyan gap, ⁵a single warm sodium lamp on the lighthouse as the only warm note, standing water mirroring both. Fine atmospheric haze, practical light falloff, ⁶natural motion blur in the trailing foot, ⁷35 mm grain, slight halation on the highlights, ⁸desaturated teal and slate grade with protected skin tones. ⁹No lens flare stars, no title text, no letterbox bars, no watermark.

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Aufbau des Prompts

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1. 01

   Cinematic film still

   A still frame from a film behaves differently from a photograph: wider aspect, more negative space, and a subject placed for story rather than for portraiture.

2. 02

   Anamorphic wide shot on a 40 mm at T2.8

   Anamorphic brings oval bokeh and horizontal character; T-stops rather than f-stops is the cinema convention and reinforces the register.

3. 03

   camera low and level with the waterline

   Height and tilt. Level is doing as much work as low — a tilted camera would turn a composed frame into a dynamic one.

4. 04

   subject small in frame at the left third

   Scale and placement. Small subjects read as isolated; this single phrase carries most of the emotional content of the image.

5. 05

   a single warm sodium lamp on the lighthouse as the only warm note

   One warm accent against a cold field. Naming it as the only one prevents the model from warming the whole frame.

6. 06

   natural motion blur in the trailing foot

   Cinema has a shutter; photographs often do not. A specific, small blur is what makes a still read as a frame from moving footage.

7. 07

   35 mm grain, slight halation on the highlights

   Two film artefacts, both restrained. Halation is the soft red bloom around bright points on film stock — it is the detail that sells the format.

8. 08

   desaturated teal and slate grade with protected skin tones

   A grade plus its exception. Without the exception, heavy grades turn faces grey.

9. 09

   No lens flare stars, no title text, no letterbox bars

   Baked-in black bars and title text ruin a frame you intended to crop and letter yourself.

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