Cinematográfico
FLUX 3 cinematic prompt
An anamorphic film-still brief for FLUX 3 covering framing, single-source warmth, film artefacts and a protected-skin grade.
Vista previa
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El prompt completo
1Cinematic film still of a lone signal keeper walking a flooded causeway toward a distant lighthouse at blue hour. 2Anamorphic wide shot on a 40 mm at T2.8, 3camera low and level with the waterline, 4subject small in frame at the left third, the causeway leading the eye to the horizon. Overcast sky breaking into a cold cyan gap, 5a single warm sodium lamp on the lighthouse as the only warm note, standing water mirroring both. Fine atmospheric haze, practical light falloff, 6natural motion blur in the trailing foot, 735 mm grain, slight halation on the highlights, 8desaturated teal and slate grade with protected skin tones. 9No lens flare stars, no title text, no letterbox bars, no watermark.
Abre el generador con el prompt y la relación de aspecto ya rellenados.
Los prompts se mantienen en inglés para que pueda copiarlos tal cual en el generador; si los reescribe, le recomendamos seguir en inglés.
Estructura del prompt
Cada frase de abajo aparece literalmente en el prompt anterior y controla una cosa. Combínelas, sustitúyalas o bórrelas para hacer su propia versión.
- 01
Cinematic film still
A still frame from a film behaves differently from a photograph: wider aspect, more negative space, and a subject placed for story rather than for portraiture.
- 02
Anamorphic wide shot on a 40 mm at T2.8
Anamorphic brings oval bokeh and horizontal character; T-stops rather than f-stops is the cinema convention and reinforces the register.
- 03
camera low and level with the waterline
Height and tilt. Level is doing as much work as low — a tilted camera would turn a composed frame into a dynamic one.
- 04
subject small in frame at the left third
Scale and placement. Small subjects read as isolated; this single phrase carries most of the emotional content of the image.
- 05
a single warm sodium lamp on the lighthouse as the only warm note
One warm accent against a cold field. Naming it as the only one prevents the model from warming the whole frame.
- 06
natural motion blur in the trailing foot
Cinema has a shutter; photographs often do not. A specific, small blur is what makes a still read as a frame from moving footage.
- 07
35 mm grain, slight halation on the highlights
Two film artefacts, both restrained. Halation is the soft red bloom around bright points on film stock — it is the detail that sells the format.
- 08
desaturated teal and slate grade with protected skin tones
A grade plus its exception. Without the exception, heavy grades turn faces grey.
- 09
No lens flare stars, no title text, no letterbox bars
Baked-in black bars and title text ruin a frame you intended to crop and letter yourself.
Preguntas sobre este prompt
What actually makes an image read as cinematic?
Mostly three things this prompt names explicitly: a wide frame with the subject small, one dominant colour relationship rather than many, and a small amount of motion. Grain and halation help, but they are the finish, not the cause.
Can I storyboard a sequence with this?
Yes — keep the lens, grade and artefact phrases fixed and rewrite only the action and camera-position phrases. The frames will look like they came from the same film.
Why avoid letterbox bars?
Bars burned into the pixels cannot be removed cleanly and fight whatever crop your layout needs. Generate the full 16:9 frame and add bars in the edit.
Reciba un único correo sobre el estado del lanzamiento
Deje su correo. Le enviaremos una única actualización breve cuando FLUX 3 esté disponible aquí.