建築
FLUX 3 architecture prompt
An architectural photography brief for FLUX 3 with straight verticals, raking material light and a scale figure, explained phrase by phrase.
プレビュー
掲載するのは、ページに載っているプロンプトから実際に生成した画像だけです。この作例をレンダリングして確認するまでは、ブリーフそのものが展示物です。
プロンプト全文
1Architectural photograph of a small rammed-earth research pavilion set into a hillside of dry grass. 2Single-storey, deep-set horizontal window band, a cantilevered timber canopy over the entrance, board-marked concrete plinth. 3Two-point perspective from standing eye height at 24 mm with verticals kept perfectly straight, 4late afternoon sun raking the earth wall to reveal its layered lifts, long shadow from the canopy across the entrance, 5one figure walking out of frame for scale. 6Clear dry-season sky with thin high cloud, warm ochre and bleached olive palette, 7accurate material weathering, 8no post-production sky replacement look. Editorial architecture magazine finish. 9No text, no logos, no cars, no watermark.
プロンプトとアスペクト比を入力済みの状態でジェネレーターを開きます。
プロンプトは英語のまま掲載しています。そのままジェネレーターに貼り付けられますし、書き換えるときも英語のままにしておくことをおすすめします。
プロンプトの構造
以下の語句は、上のプロンプトにそのままの形で現れ、それぞれがひとつの要素を決めています。組み合わせを変え、置き換え、削りながら、自分用の版を作ってください。
- 01
Architectural photograph
A discipline with its own rules: straight verticals, controlled perspective, materials over mood. Say it first and the rest falls in line.
- 02
Single-storey, deep-set horizontal window band, a cantilevered timber canopy
Describe the building as elements, not as an adjective. modern building produces nothing; a list of elements produces a building.
- 03
Two-point perspective from standing eye height at 24 mm with verticals kept perfectly straight
The core technical instruction. Converging verticals are the single most obvious mark of an amateur architectural image.
- 04
late afternoon sun raking the earth wall to reveal its layered lifts
Light chosen for what it reveals about the material. Raking light across rammed earth is what makes the construction method visible.
- 05
one figure walking out of frame for scale
Scale figures are standard practice. Walking out of frame keeps them from becoming the subject.
- 06
Clear dry-season sky with thin high cloud
An empty blue sky looks fake; a fully dramatic one steals the building. Thin high cloud is the working compromise.
- 07
accurate material weathering
New-looking buildings read as renders. Weathering is what places the building in time and weather.
- 08
no post-production sky replacement look
Names a specific artefact rather than asking for realism in general. Specific negatives work; general ones do not.
- 09
No text, no logos, no cars, no watermark
Cars date an architectural image faster than anything else and are usually the first thing a client asks to remove.
このプロンプトについての質問
How do I stop the building leaning backwards?
Phrase 3 does that job. Keeping verticals straight is a shift-lens behaviour, and naming it explicitly is more reliable than asking for a straight-on view.
Can I generate an interior with the same approach?
Yes. Keep phrases 1 and 3, replace the element list with interior elements, and swap the raking sun for a described daylight source such as a north-facing clerestory.
Is this suitable for a real project visualisation?
As a mood and material study, yes. It is not a substitute for a model-based render — the generator has no access to your geometry, so nothing in the output is dimensionally accurate.
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