Poster & type
FLUX 3 poster prompt
A Swiss-style poster brief for FLUX 3 covering grid, margin, spot colour, type treatment and print artefacts.
Preview
We only publish images that were actually generated from the prompt printed on the page. Until this one is rendered and checked, the brief itself is what is on display.
The complete prompt
1Swiss-style exhibition poster for a modern dance festival, 2portrait format with a wide top margin. A single high-contrast black-and-white photograph of a dancer mid-extension 3occupies the lower two thirds, bleeding off the left edge. 4A solid vermilion band runs across the upper third carrying the headline SLOW MOTION 5set in a heavy grotesque, all caps, tight tracking, left aligned to 6a strict 12-column grid. Beneath it, one line of small type reads 14 to 22 MARCH. 7Flat spot colours, no gradients, visible paper grain, offset print finish with 8a faint misregistration on the red. 9No extra text, no logos, no borders, no watermark.
Opens the generator with the prompt and aspect ratio already filled in.
Prompt structure
Each phrase below appears verbatim in the prompt above and controls one thing. Mix, replace or delete them to make your own version.
- 01
Swiss-style exhibition poster
One phrase that imports an entire design system: grid discipline, grotesque type, flat colour, asymmetric balance. Style names are the highest-leverage words in a layout brief.
- 02
portrait format with a wide top margin
Margins are structure, not decoration. Naming the wide margin is what creates the space the colour band later occupies.
- 03
occupies the lower two thirds, bleeding off the left edge
Proportion plus a bleed instruction. Bleeding off an edge is what makes a poster feel composed rather than pasted together.
- 04
A solid vermilion band runs across the upper third
One flat shape doing the heavy lifting. Change the colour word alone and the poster changes register completely.
- 05
set in a heavy grotesque, all caps, tight tracking, left aligned
Four typographic decisions, each independently swappable. This is the phrase to experiment with when the layout is right but the tone is wrong.
- 06
a strict 12-column grid
Naming a grid keeps the elements aligned to each other instead of merely near each other.
- 07
Flat spot colours, no gradients, visible paper grain
Print behaviour, not screen behaviour. Paper grain is the cheapest way to make a poster look printed rather than exported.
- 08
a faint misregistration on the red
A deliberate press artefact. Small, specific imperfections do more for believability than any amount of texture overlay.
- 09
No extra text, no logos, no borders, no watermark
Posters attract invented sponsor logos and stray captions. Shut that down explicitly.
Questions about this prompt
Will the headline text come out correctly?
Short all-caps headlines in a heavy weight are the most reliable case, and this prompt is built around that. Long strings, small type and mixed case are still where generated lettering breaks down — check every character before you use the image.
How do I keep the layout but change the subject?
Replace only the photograph clause. The margin, band, grid and type phrases describe the layout system and carry over to any image inside it.
Can I get a landscape version?
Switch the aspect ratio to 16:9 and change portrait format to landscape format in phrase 2. Leave the proportion phrase as thirds — it survives the rotation better than pixel measurements would.
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