FLUX 3 poster prompt

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El prompt completo

¹Swiss-style exhibition poster for a modern dance festival, ²portrait format with a wide top margin. A single high-contrast black-and-white photograph of a dancer mid-extension ³occupies the lower two thirds, bleeding off the left edge. ⁴A solid vermilion band runs across the upper third carrying the headline SLOW MOTION ⁵set in a heavy grotesque, all caps, tight tracking, left aligned to ⁶a strict 12-column grid. Beneath it, one line of small type reads 14 to 22 MARCH. ⁷Flat spot colours, no gradients, visible paper grain, offset print finish with ⁸a faint misregistration on the red. ⁹No extra text, no logos, no borders, no watermark.

Abre el generador con el prompt y la relación de aspecto ya rellenados.

Los prompts se mantienen en inglés para que pueda copiarlos tal cual en el generador; si los reescribe, le recomendamos seguir en inglés.

Estructura del prompt

Cada frase de abajo aparece literalmente en el prompt anterior y controla una cosa. Combínelas, sustitúyalas o bórrelas para hacer su propia versión.

1. 01

   Swiss-style exhibition poster

   One phrase that imports an entire design system: grid discipline, grotesque type, flat colour, asymmetric balance. Style names are the highest-leverage words in a layout brief.

2. 02

   portrait format with a wide top margin

   Margins are structure, not decoration. Naming the wide margin is what creates the space the colour band later occupies.

3. 03

   occupies the lower two thirds, bleeding off the left edge

   Proportion plus a bleed instruction. Bleeding off an edge is what makes a poster feel composed rather than pasted together.

4. 04

   A solid vermilion band runs across the upper third

   One flat shape doing the heavy lifting. Change the colour word alone and the poster changes register completely.

5. 05

   set in a heavy grotesque, all caps, tight tracking, left aligned

   Four typographic decisions, each independently swappable. This is the phrase to experiment with when the layout is right but the tone is wrong.

6. 06

   a strict 12-column grid

   Naming a grid keeps the elements aligned to each other instead of merely near each other.

7. 07

   Flat spot colours, no gradients, visible paper grain

   Print behaviour, not screen behaviour. Paper grain is the cheapest way to make a poster look printed rather than exported.

8. 08

   a faint misregistration on the red

   A deliberate press artefact. Small, specific imperfections do more for believability than any amount of texture overlay.

9. 09

   No extra text, no logos, no borders, no watermark

   Posters attract invented sponsor logos and stray captions. Shut that down explicitly.

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