Portrait

FLUX 3 portrait prompt

A complete editorial portrait brief for FLUX 3, broken into the nine phrases that control subject, pose, lens, light, and skin realism.

Publié le August 21, 2026

Aperçu

Aucun exemple rendu n’est encore publié

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Le prompt complet

1Photorealistic editorial portrait of 2a woman in her late thirties with a shaved head and warm brown skin, 3turned three-quarters to camera with a level, unsmiling gaze. 4Chest-up framing on an 85 mm lens at f/2, 5single large softbox high camera right with a black flag on the shadow side, 6deep charcoal seamless backdrop, matte black roll-neck knit, 7visible skin texture with pores and fine lines, precise catchlights, one stray highlight tracing the jaw. 8Muted cool grade, gentle film grain, magazine cover finish. 9No beauty-filter smoothing, no plastic skin, no text, no watermark.

Utiliser ce prompt

Ouvre le générateur avec le prompt et le format d’image déjà renseignés.

Les prompts restent en anglais pour être copiés tels quels dans le générateur ; si vous les réécrivez, l’anglais reste recommandé.

Structure du prompt

Chaque segment ci-dessous apparaît mot pour mot dans le prompt ci-dessus et pilote une seule chose. Mélangez-les, remplacez-les ou supprimez-les pour composer votre propre version.

  1. 01

    Photorealistic editorial portrait

    Names the register before anything else. Swap in documentary portrait for a rougher, reportage feel, or studio headshot to flatten the drama out of the lighting.

  2. 02

    a woman in her late thirties with a shaved head and warm brown skin

    Age, hair and skin tone stated as facts, not adjectives. Vague subjects are where portraits drift; this is the one phrase worth rewriting in full for your own brief.

  3. 03

    turned three-quarters to camera with a level, unsmiling gaze

    Pose and expression together. level gaze keeps the eyeline at lens height; unsmiling is what stops the default stock-photo grin.

  4. 04

    Chest-up framing on an 85 mm lens at f/2

    Crop and optics in one clause. 85 mm at f/2 gives the compressed features and shallow falloff people read as a portrait lens; 35 mm would widen the face and deepen the background.

  5. 05

    single large softbox high camera right with a black flag on the shadow side

    One light, one modifier, one position. The black flag is what deepens the shadow side instead of letting the room fill it back in — this is the phrase that makes the light look intentional.

  6. 06

    deep charcoal seamless backdrop

    Backgrounds compete for attention unless you assign them a job. Seamless means no visible seam or floor line; swap for warm oatmeal canvas or a location description when you want context.

  7. 07

    visible skin texture with pores and fine lines

    The single most useful realism anchor in any portrait brief. Without it, output slides toward retouched-to-glass skin.

  8. 08

    Muted cool grade, gentle film grain, magazine cover finish

    Colour, texture and intended destination. Naming the destination is a shortcut — it carries dozens of small conventions you would otherwise have to spell out.

  9. 09

    No beauty-filter smoothing, no plastic skin, no text, no watermark

    Negatives go last and stay specific. Keep this tail on every portrait; add no jewelry or no visible logo when a client forbids them.

Questions sur ce prompt

Why does this prompt name a specific lens and aperture?

Focal length and aperture are shorthand for facial compression and background falloff. Writing 85 mm at f/2 gets you those two properties reliably; writing beautiful bokeh does not.

How do I keep the same lighting but change the person?

Rewrite only phrase 2. Everything after it describes the setup, not the subject, so the light, backdrop and grade carry over unchanged to a different face.

The face still looks retouched. What do I add?

Strengthen phrase 7 and phrase 9 together — for example add uneven skin tone and a few flyaway hairs to the realism anchor, and no digital retouching to the negatives.

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