FLUX 3 watercolor prompt

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프롬프트 전문

¹Loose watercolour illustration of a hillside village in early spring, ²painted on cold-pressed cotton paper with visible tooth. ³Wet-in-wet washes for the sky bleeding into the distant ridge, drier brushwork for the roofs and terraces, ⁴three or four confident strokes per building and nothing more. ⁵Granulating pigments settling into the paper texture, one hard edge where the nearest roof meets the light, ⁶generous unpainted white paper carrying the highlights. Muted palette of raw sienna, indigo and a single warm rose in the blossom. ⁷Slight cauliflower blooms where washes met, ⁸a faint pencil underdrawing still visible. ⁹No ink outlines, no digital brush texture, no text, no watermark, no oversaturation.

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프롬프트 구조

아래 각 구절은 위 프롬프트에 그대로 들어 있으며 각각 한 가지를 담당합니다. 섞고 바꾸고 지워서 나만의 버전을 만드십시오.

1. 01

   Loose watercolour illustration

   Loose is the load-bearing word. Watercolour alone drifts toward tight botanical rendering, which is a different craft entirely.

2. 02

   painted on cold-pressed cotton paper with visible tooth

   The paper is half the medium. Cold-pressed has texture that catches pigment; hot-pressed would be smooth and change the whole look.

3. 03

   Wet-in-wet washes for the sky bleeding into the distant ridge

   A named technique tied to a named area. Assigning techniques to regions is how you get variety instead of one uniform effect.

4. 04

   three or four confident strokes per building and nothing more

   A hard economy rule. Watercolour dies from overworking, and a stroke budget is the most effective way to prevent it.

5. 05

   Granulating pigments settling into the paper texture

   Real pigment behaviour. Granulation is the physical detail that separates watercolour from a soft digital gradient.

6. 06

   generous unpainted white paper carrying the highlights

   In watercolour the highlights are the paper. Say so, or the model paints white over everything and the luminosity disappears.

7. 07

   Slight cauliflower blooms where washes met

   A named accident. Blooms are technically a mistake, and asking for a few is what makes the painting look painted by a person.

8. 08

   a faint pencil underdrawing still visible

   Process left in view. This is the fastest way to make an illustration feel handmade rather than generated.

9. 09

   No ink outlines, no digital brush texture

   The two contaminants that turn watercolour into a different, much more common style.

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